#Tom hiddleston christopher walken impression movie
How do guns leave one country and enter another? The first half of the movie is entirely Shannon’s recon mission, and the second half is mostly taken up by business deals in restaurants, offices, hotels, and warehouses if merchandise is on hand. Like that adaptation, this film is interested in the logistics of an operation. The Dogs of War is based on a 1974 novel by Frederick Forsyth, author of The Day of the Jackal. Nobody elicits a particular response from our ostensible lead.
He’s sent to do recon in the fictional West African country Zangaro, where he encounters a parade of guest characters along a spectrum of hostility, from an easily bribed border agent to a Christian priest. By the time Shannon is tasked with the mission, he’s mostly an enigma, and this doesn’t change in that mission’s early phases. “You can always be a beggar when you grow up,” he tells the kid after making him work for his change. Later, a kid on the street asks him if he has any money, and his reply is, “What’s it to you?” One might imagine this delivery spoken with Walken’s charm, but it comes out irritably. He keeps a gun in every drawer – and his fridge – and a photo of himself and a woman which he reacts to wistfully. Speaking rarely and never to himself, all there is to learn about Shannon initially comes from his environment. Jamie Shannon returns home from the war zone to a crummy apartment where a couple can be heard through the walls arguing about Watergate and cockroaches skitter into view to be squashed. It’s a grim, anonymous job, and this is communicated first by Walken’s performance. Unfortunately, its approach to American interventionism is timeless. Directed by John Irvin, The Dogs of War doesn’t showcase heroic spectacle but instead reflects the era in which it was produced. Christopher Walken’s film opens in the midst of a battle scene, but it’s the principal characters fleeing from a combat zone and threatening their way onto the last plane out of Central America.
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